Char / BLACK MAGIC WOMAN

Char / BLACK MAGIC WOMAN Tube. Duration : 5.62 Mins.

2006/08/29 ニッポンのRock Guitar history (BS-FUJI)

Keywords: Char

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exposicion en el santana

exposicion en el santana Tube. Duration : 3.13 Mins.

exposicion de fotografias que he hecho en el santana del 16 al 30 de noviembre del 2007

Keywords: fotografia, exposicion, barsantana, segovia

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Santana Abraxas

Santana Abraxas Review

Santana Abraxas Overview

This is an original recording on Vinyl.

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高中正義MASAYOSHI TAKANAKA-- 渚・モデラート - NAGISA MODERATO Live

高中正義MASAYOSHI TAKANAKA-- 渚・モデラート - NAGISA MODERATO Live Tube. Duration : 7.75 Mins.

This is my favorite song of MASAYOSHI TAKANAKA,but I don't how to spell the title of the song as it was named in Japanese. 小弟蠻愛聽帶有Fusion/Blue吉他演奏曲,像是Santana的眾多經典演奏曲(特別是Europa....)以及Gary Moore的Still got the blues之類的風格. 也聽說日本的高中正義也是各中高手.所以上週狠下心花了800元買了他的日版精選CD.(其實沒有聽過他的歌.因為網路真的抓不到)光聽這首歌曲就夠本了.正好上次在香港買到他的LIVE DVD,也有這條歌,就把它上傳到Youtube給同好欣賞. 每次聽到這條歌.恨不得時光倒流30年來苦練電吉他,把馬子應該無所不利. 也請同好介紹相同類型歌曲供參考.

Keywords: 高中正義, MASAYOSHI, TAKANAKA, LIVE, 渚・モデラート, -, NAGISA, MODERATO

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Luan Santana - Nega

Luan Santana - Nega Tube. Duration : 5.58 Mins.

Luan Santana - Nega

Tags: Nega, Luan Santana, Luan

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Eric Clapton, Crossroads Guitar Festival Chicago 2007

Eric Clapton, Crossroads Guitar Festival Chicago 2007 Video Clips. Duration : 114.62 Mins.

Eric Clapton, Crossroads Guitar Festival Chicago 2007 con: Eric Clapton, Johnny A., Vishwa Mohan Bhatt, Ron Block, Booker T. & the MG's, Doyle Bramhall II, JJ Cale, Larry Carlton, Robert Cray, Sheryl Crow, Bo Diddley, Jerry Douglas, David Honeyboy Edwards, Vince Gill, Buddy Guy, David Hidalgo, Zakir Hussain, Eric Johnson, BB King, Sonny Landreth, Jonny Lang, Robert Lockwood, Jr., John Mayer, John McLaughlin, Pat Metheny, Robert Randolph, Duke Robillard, Carlos Santana, Neal Schon, Styx, Hubert Sumlin, James Taylor, Dan Tyminski, Steve Vai, Jimmie Vaughan, Joe Walsh, ZZ Top, David Johansen

Tags: Eric Clapton, Albert Lee, BB King, Bert Jansch, Buddy Guy, Derek Trucks, Doyle Bramhall II, Earl Klugh, Gary Clark Jr., Hubert Sumlin, James Burton, Jeff Beck, Jimmie Vaughan, Joe Bonamassa, John Mayer, Johnny Winter, Jonny Lang, Keb 'Mo', Pino Daniele, Robert Cray, Robert Randolph, Sheryl Crow, Susan Tedeschi, Sonny Landreth, Stefan Grossman, Steve Winwood, Vince Gill, Warren Haynes, ZZ Top

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Amassakoul -- Tinariwen from Live 8 Eden Africa Calling

Amassakoul -- Tinariwen from Live 8 Eden Africa Calling Video Clips. Duration : 6.27 Mins.

The great Mali desert band Tinariwen was one of the highlights of Live 8, the African concert hosted by Peter Gabriel and WOMAD. A major influence on Robert Plant's recent music, Tinariwen are touring in fall 2007 and will be at the Grand Opera House in Wilmington on November 18, 2007 at 7 PM, co-sponsored by the Arden Concert Gild.

Tags: Africa, Music, World, Mali, Tinariwen, African, Live, 8, Eden, DVD

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Brittana- A Thousand Years

Brittana- A Thousand Years Video Clips. Duration : 4.72 Mins.

No Copyright infringement intended. Not for profit. Please DO NOT mention the show or the characters in the comments. Don't forget to follow me on Tumblr: noparticularway.tumblr.com

Keywords: Glee, Brittana, Santana, Lopez, Brittany, Pierce, Thousand, Years, Christina, Perri

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Soul Sacrifice ~ Santana

Soul Sacrifice ~ Santana Tube. Duration : 6.80 Mins.

Rate & Comment... Soul Sacrifice Santana Santana

Tags: soul, sacrifice, carlos, santana

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Você não sabe o que é amor - Luan Santana | Planeta Atlântida 2012

Você não sabe o que é amor - Luan Santana | Planeta Atlântida 2012 Tube. Duration : 5.80 Mins.

www.luansantana.com.br www.twitter.com/luansantana

Tags: Você, não, sabe, que, amor, Luan, Santana, Planeta, Atlântida, 2012

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Santana- She's Not There

Santana- She's Not There Video Clips. Duration : 4.17 Mins.

My Favorite Santana song She's Not There from Moonflower in 1977

Keywords: rock, Carlos, santana, moonflower, she's, not, there

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Borboletta

Borboletta Review

Borboletta Overview

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

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Glee - I Say a Little Prayer (Performance Extended)

Glee - I Say a Little Prayer (Performance Extended) Tube. Duration : 1.63 Mins.

I Say a Little Prayer with Britney, Santana & Quinn

Keywords: Say, Performance (film), Glee (TV Series), Television Program

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"Everest" Nova Música de Luan Santana

"Everest" Nova Música de Luan Santana Tube. Duration : 4.15 Mins.

" DOWNLOAD do *.MP3: goo.gl " Eu vou contar meu segredo Falar pro mundo inteiro Tatuar seu nome Roubar o seu beijo Porque eu te amo sem medo Quer saber Faço de tudo pra te merecer Quer saber O impossível é pouco pra você Vou escalar o Everest com uma mão só Atravessar o oceano em um barco de papel Se for preciso eu posso até roubar um avião Pra te levar pro céu Eu corro a 120 com o carro na contramão Eu me lanço ao vento do décimo quinto andar Aprendo a voar pra te provar Que a fé move montanhas e eu movo o mundo Pra te amar (2x)

Keywords: Luan, Santana, Fernando, Sorocaba, Everest, Nova, Música, Lançamento, Download, Muramatsu, Sertanejo, Country, Karaoke, Playback, Instrumental, Letra, Lyrics, Single, 2011, 2012, Hit, Universitário

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Luan Santana - Promete

Luan Santana - Promete Tube. Duration : 3.22 Mins.

Keywords: Luan, Santana, Promete

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GLEE-La Isla Bonita with lyrics

GLEE-La Isla Bonita with lyrics Tube. Duration : 3.27 Mins.

It's the Glee song "La Isla Bonita" sung by: Santana Lopez "Naya Rivera" David Martinez "Ricky Martin" (c) 2012 Twentieth Century Fox Film Corporation No copyright infringement intended. All song rights owned by SONY & this is uploaded strictly for promotional purposes. I make NO profit off this upload/song

Tags: La, Isla, Bonita, glee, with, lyrics, santana, lopez, naya, rivera, the, spanish, teacher, season, episode, 12, David, Martinez, Ricky Martin, Glee (TV Series), Naya Rivera, Santana Lopez

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Havana Moon

Havana Moon Review

Havana Moon Overview

All products are BRAND NEW and factory sealed. Fast shipping and 100% Satisfaction Guaranteed.

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Ghanaian Actor Akrobeto Interview (Very Funny) Pt.1

Ghanaian Actor Akrobeto Interview (Very Funny) Pt.1 Video Clips. Duration : 18.93 Mins.

INTERVIEW LMFAO!!! Note: When The Person Conducting The Interview Plays Music He's Seriously Laughing. Peace FM

Keywords: Ghanaian, Actor, Akrobeto, Speaking, English, Ghana, Movie, Funny, Hilarious, Agya, Koo, Dance, Twi, Akwasi, Boadi, Exclusive, Interview, LOL, New, Oil, Gas, Accra, Tema, Sunyani, Kumasi, Takoradi, Tamale, America, USA, Peace, FM, Radio, Comedian, Santos, Gold, Coast, Motherland, Mall, Lumba, Obama, Castro, Asamoah, Nana, Boroo, Mercy, Aseidu, Fufu, Kente, Jollof, Germany, Broken, Canada, UK, London, African, LMFAO, Ama, mcbrown, Asiedu, Katawere, Kyeiwaa, Jackie, Appiah, Van, Vicker, Genevieve, Nnaji, Yvonne, Nelson, Akroboto, Abeiku, Santana

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WWF Royal Rumble 1992 - full / complete

WWF Royal Rumble 1992 - full / complete Video Clips. Duration : 76.53 Mins.

match starts at 06:00

Keywords: royal, rumble, 1992, wwf, entire, full, complete, whole, all, wwe, macho, man, randy, savage, ric, flair, hulk, hogan, skinner, Sgt., Slaughter, hercules, irs, Nikolai, Volkoff, greg, valentine, bezerka, virgil, tito, santana, shawn, michaels, jerry, sags, nasty, boys, warlord, the, undertaker, jake, snake, roberts, big, boss, haku, jimmy, superfly, snuka, sid, justice, repo, davey, boy, smith, british, bulldog, ted, dibiase, million, dollar, barbarian, rowdy, roddy, piper, texas, tornado, hacksaw, jim, duggan

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Santana Just feel better

Santana Just feel better Video Clips. Duration : 4.13 Mins.

Santana sing with steven tyler from aerosmith

Tags: Santana, Aerosmith

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Rumor Has It / Someone Like You - Glee [HD Preview]

Rumor Has It / Someone Like You - Glee [HD Preview] Tube. Duration : 2.57 Mins.

www.facebook.com www.twitter.com Preview of New Glee Single for Season Three from the new episode 3x06 "Mash Off" on air in 11/15 on Fox ! www.facebook.com www.twitter.com

Keywords: glee, new, directions, the, first, time, season, full, studio, downloads, lyrics, HD, recording, song, descargas, letra, español, troubletones, adele, mash, up, off, santana, naya, rivera, mercedes, amber, riley

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Abraxas: Limited Edition

Abraxas: Limited Edition Review

Abraxas: Limited Edition Overview

Santana's 1970 follow-up to their Woodstock-propelled smash debut found leader Carlos Santana further expanding his San Francisco group's already broad musical boundaries. To wit: two hit singles that emanate from opposite ends of the spectrum--"Black Magic Woman", originally written and recorded by English blues-rock guitarist Peter Green and Fleetwood Mac, and New York Latin percussionist/dance music king Tito Puente's infectious "Oye Como Va". Tying blues, rock, and salsa together in one pan-cultural package, Abraxas also featured such standout tracks as "Gypsy Queen", "Singing Winds" and "Crying Beasts", of which the latter two underscored the growing Eastern sensibilities of guitarist Santana. --Billy Altman

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Orianthi Santana @ NAMM 2005 Part 1

Orianthi Santana @ NAMM 2005 Part 1 Tube. Duration : 6.07 Mins.

Orianthi plays with Carlos Santana @ PRS Guitar's 20th Anniversary Party NAMM 2006. You can check her out at www.myspace.com/orianthi. This girl ROCKS!!!

Tags: Orianthi, Carlos, Santana, NAMM, PRS, Guitars

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Santana Live in Italy - Moonflower

Santana Live in Italy - Moonflower Video Clips. Duration : 5.28 Mins.

Moonflower live in Italy 1977

Tags: carlos, santana, moonflower, live, italy, 1977, flor, de, luna, d'luna, world, music

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"One" - Faith Hill (HQ Performance Video)

"One" - Faith Hill (HQ Performance Video) Video Clips. Duration : 5.45 Mins.

From Faith's TV special "When The Lights Go Down"

Tags: Faith, Hill, When, the, Lights, Go, Down, TV, Special, 2003, Cry, Breathe, This, Kiss, One, Free, Way, You, Love, Me, Pink, Carlos, Santana

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Luan Santana Amar não é pecado alvin e os esquilos

Luan Santana Amar não é pecado alvin e os esquilos Video Clips. Duration : 3.58 Mins.

Orkut community : www.orkut.com.br Link de download da musica original ® www.4shared.com Twitter : twitter.com

Tags: Luan, Santana, Amar, não, pecado, alvin, os, esquilos, musica, sertaneja, cantando, morde, assopra, felipe, neto, restart, malhação, tema, novela, papa, roach, faz, sentido, Gusttavo, lima, (CLIPE, OFICIAL), Chipmunks

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Black magic woman Santana

Black magic woman Santana Video Clips. Duration : 5.37 Mins.

Una serie di signore in nero(anche i rari maschietti che appaiono) o in bianco e nero,scorrono sotto le note di questo meraviglioso pezzo,dove la chitarra di Carlos,lo sciamano del Rock,arriva alla sublimità.Il 30 giugno 2008 in Arena sembrava che la pietra,le persone e la musica si fondessero in una cosa sola..un gigante!!!Dedicato a chi c'era quella sera magica,Simone,Stefano,Emilio,Lory,Ennio,Silvia,Sabrina e Ivan. I got a Black Magic Woman. I got a Black Magic Woman. Yes, I got a Black Magic Woman, She's got me so blind I can't see; But she's a Black Magic Woman and she's trying to make a devil out of me. Don't turn your back on me, baby. Don't turn your back on me, baby. Yes, don't turn your back on me, baby, Don't mess around with your tricks; Don't turn your back on me, baby, 'cause you might just wake up my magic sticks. You got your spell on me, baby. You got your spell on me, baby. Yes, you got your spell on me, baby, Turnin' my heart into stone; I need you so bad, Magic Woman I can't leave you alone

Keywords: black, magic, woman, carlos, santana, rock, sciamano, 19shed72, jazz, pop, classics, melodic, vocal, sad song, cantando, card, piscina, teatro, trucos

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borboletta LP

borboletta LP Review

borboletta LP Overview

STEREO VINYL LP! Santana: Borboletta! 1974 Columbia Release! TRACKS: A1. Spring Manifestations; A2. Canto de los Flores; A3. Life Is Anew; A4. Give and Take; A5. One With the Sun; A6. Aspirations; B1. Practice What You Preach; B2. Mirage; B3. Here and Now; B4. Flor de Canela; B5. Promise of a Fisherman; & B6. Borboletta.

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Week 3 Of The 2010 Nfl Season - The Top Performers

Week 3 in the Nfl was other quality weekend of football games for the fans as there were upsets, blowouts, and some close games as well. The Cowboys and Vikings each got their first win... Finally. The Jets and Dolphins played a nail biter on Sunday Night Football. Even the Seahawks and Chargers game was one worth watching right down to the end.

Week 3 was also filled with some great individual performances too:

Santana

Passing

Even though his team lost in overtime, Drew Brees lit up the sky with a 30 of 38 for 365 yards and three touchdowns performance. Michael Vick had a great day, going 17 of 31 for 291 yards and three touchdowns. Vick would also run in a touchdown too. Peyton Manning would perform at a high level too, completing 27 of his 43 passing attempts for 325 yards and three touchdowns. Kyle Orton of the Broncos would throw a lot while playing catch up to the Colts and would end the game 476 yards passing. Chad Henne would do well in a failed comeback against the Jets by completing 26 of 44 passes for 363 yards and two touchdowns.

Rushing

In a game the Vikings literally had to win, Adrian Peterson would come through like he regularly does with 23 carries for 160 yards and two touchdowns. Michael Turner had a very good game for the Falcons, carrying the ball 30 times for 114 yards and a touchdown. Peyton Hillis of the Cleveland Browns carried the ball 22 times for 144 yards and a touchdown.

Receiving

Though the 49ers lost their game to the Chiefs, running back Frank Gore would catch nine passes for 102 yards. Lance Moore of the Saints caught six balls for 149 yards and two touchdowns. Paying big dividends was new Ravens wide receiver Anquan Boldin who caught eight passes for 142 yards and three touchdowns. Roy Williams of the Cowboys caught five passes for 117 yards and two touchdowns. In a losing effort, Santana Moss of the Redskins caught six balls for 124 yards and a touchdown. Brandon Lloyd of the Broncos had six receptions for 169 yards and touchdown. Brandon Marshall of the Dolphins caught ten balls for 166 yards and one touchdown.

Week 3 Of The 2010 Nfl Season - The Top Performers

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Guilherme & Santiago e Jorge & Mateus [Nova] Eu vou até o fim [Legenda]

Guilherme & Santiago e Jorge & Mateus [Nova] Eu vou até o fim [Legenda] Tube. Duration : 3.52 Mins.

Curta minha página no facebook : www.facebook.com Me siga no twitter : twitter.com

Tags: jorge, mateus, 2012, nova, musica, guilherme, santiago, dvd, legenda, eu, vou, até, fim, lançamento, joão, neto, frederico, se, te, pegar, você, vai, ver, 2011, sei, fazer, lelele, Lê, em, plena, sexta, feira, fui, tentar, me, distrair, chegando, na, balada, toda, linda, vi, no, camarote, não, tenho, grana, fama, carro, to, de, carona, ai, pego, top, sucesso, sertanejo, michel, telo, cd, novo, luan, santana, fernando, sorocaba, gustavo, lima, meu, coração, pede

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Santana Feat Neal Schon Live 70's

Santana Feat Neal Schon Live 70's Tube. Duration : 6.27 Mins.

Santana Band Live somewhere in early 70´s Beat Club German TV ! Jungle Strut is a track from third album, which was a bit the under rated follow up of succes and breakthrough album Abraxas ! On both 3d & Caravanserai, Neil Schon contributed most excellent git stuff.

Keywords: Santana, Neal Schon, Wave Roofer, Wim Wever, Heerenveen

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A Night at the Family Dog 1970 (The Grateful Dead / Jefferson Airplane / Santana)

A Night at the Family Dog 1970 (The Grateful Dead / Jefferson Airplane / Santana) Review

A Night at the Family Dog 1970 (The Grateful Dead / Jefferson Airplane / Santana) Overview

Filmed on location at the Family Dog Ballroom in San Francisco in September, 1970, the show captures the diversity of the San Francisco sound with three of the most well known bands to emerge from the scene: Santana, who would release their second album at the end of 1970, The Grateful Dead, who were making a name for themselves with their jam-filled performances, and Jefferson Airplane, who were at the time the biggest of the bands from the area. Noted jazz columnist Ralph J. Gleason took note of the exploding rock music scene and produced several television specials and documentaries spotlighting the music emerging from San Francisco. A Night At The Family Dog is one part of a two-part series (the other is Go Ride The Music) that aired on PBS in 1970.

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galvanic Guitar Lessons Online and the Sound That Can Be Created

The galvanic guitar is an wonderful instrument and as such you should have a look at what is ready for you and galvanic guitar lessons online.

Now we need to understand that even if you do get galvanic guitar lessons online we still need to learn to play guitar and I will assume that you are seeing to learn or are an intermediate galvanic guitar player that wants to understand the basics of how to play guitar.

Santana

Now if you think about Jimmy Hendrix for a moment you will start to understand the sound that your galvanic guitar can produce. That sound from your galvanic guitar can be wonderful as long as you institution and have fun.

When you start to learn to play your galvanic guitar you will find that it becomes easier to make your guitar sing and dance. The more you institution and learn the more you will have fun and start to experiment with things like effects peddles and distortion peddles and soon you will find that you will get some wonderful sounds being produced from your guitar.

If you do not have effects peddles yet then don't worry too much because you will still be able to generate some wicked sounds. Try to bend notes for example, this can be achieved by playing a chord or power chord and then bending (or stretching) the guitar string(s).

Depending on what part of the studying stage you are up to will depend on the results you can get, you can get great results with galvanic guitar lessons online (learning how to play the galvanic guitar online). When you institution and have fun you will be amazed at what you can accomplish who knows you could be finger tapping your way to the likes of Carlos Santana and even more.

Practice and enjoy your galvanic guitar and you will be great.

To check out where to learn to play guitar click on the link below.

Jamorama Review

galvanic Guitar Lessons Online and the Sound That Can Be Created

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Santana III

Santana III Review

Santana III Overview

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Programa do Jo: Marcos Veras imita alguns cantores 27/11/2009

Programa do Jo: Marcos Veras imita alguns cantores 27/11/2009 Tube. Duration : 5.23 Mins.

Daniel e João Bosco estão entre os "homenageados" pelo humorista

Tags: Programa, do, Jo, Marcos, Veras, imita, cantores, humor, da, caneca, daniel, 27/11/2009

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Songbird - Glee (Lyrics)

Songbird - Glee (Lyrics) Tube. Duration : 3.27 Mins.

Lyrics on screen of the song Songbird by Naya Rivera ( Santana Lopez ) follow me on twitter - @ichriskarajohn 10.000 views - 10/5/2011 50.000 views - 01/6/2011 Thanks :)

Keywords: Lyrics, on, screen, song, Songbird, by, Naya, Rivera, Santana, Lopez, glee, Rumors, Episode, 2x19, 19, subtitles

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Gustavo Lima - Cabelo cor de ouro - Parodia - @mcmaloka

Gustavo Lima - Cabelo cor de ouro - Parodia - @mcmaloka Video Clips. Duration : 2.65 Mins.

Mc maloqueiro agora acaba de pegar mais um artista alvo de suas parodias e dessa vez foi o cantor Gustavo Lima com a musica cabelo cor de ouro o mc maloqueiro agora fez cabelo que da nojo espero que vcs curti ai e mande pra galera é nóis que tá

Tags: parodia, do, mc, maloqueiro, luan, santana, um, beijo, cabelo, cor, de, ouro, troco, amar, não, pecado, fumadinha, maconheiro, loko, parodeiro, que, da, nojo, balada, tche, gustavo, lima, cthe

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Geek Show - #5

Geek Show - #5 Video Clips. Duration : 16.52 Mins.

Se gostou do vídeo dá um Joinha para ajudar na divulgação e adicione ele aos seus FAVORITOS! Pergunta da semana: "Qual será o grande anúncio da E3 deste ano?" Twitter: twitter.com Facebook: www.facebook.com Sugestões e críticas? Comente abaixo =D

Tags: yt:quality=hight, Machinima, Respaw, partner, parceiro, felipe, santana, Felipe Santana, Felipesantana, felipebsb, lipebsb, gameplays, jogos, brasil, videos, comentados, analises, geek, show

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Holy Grail - "My Last Attack" Prosthetic Records

Holy Grail - "My Last Attack" Prosthetic Records Tube. Duration : 5.38 Mins.

www.BlankTV.com Holy Grail - "My Last Attack"Like this video? Come see hundreds more at KrankTV.com! - the Net's biggest home for metal, death, grind, thrash, rapcore, heavy and hard rock music videos! If you like the hard stuff, come get hooked on KrankTV.com! Director: Shawn Bannon Los Angeles metalers, Holy Grail have unveiled their first music video. The video for the track, "My Last Attack," directed by Shawn Bannon, was shot on the band's home turf of Hollywood and shows the band performing up close and personal in a small bar. Holy Grail's CRISIS IN UTOPIA was released on CD and digitally on October 26th via Prosthetic Records and was produced by acclaimed producer/remixer/musician Danny Lohner (Nine Inch Nails, A Perfect Circle) and features cover artwork by Andrei Bouzikov (Skeletonwitch, Municipal Waste). Prosthetic has just launched the pre-order for the LP version of the album, which will hit the streets on February 1st. The LP is available on black and clear vinyl. Order your copy now. The band kicks off tour with Blind Guardian this week! The debut music video from Holy Grail. From their debut album "Crisis In Utopia," out now on Prosthetic Records. Buy It Now: itunes.apple.com www.holygrailofficial.com http twitter.com www.facebook.com prostheticrecords.com prostheticrecords.com

Keywords: Los Angeles, Holy Grail, My Last Attack, Prosthetic Records, Sorcerer, heavy metal, metal, White Wizzard, James Paul Luna, Van Halen, Brutal Legend, Shawn Bannon, CRISIS IN UTOPIA, Danny Lohner, Nine Inch Nails, A Perfect Circle, Municipal Waste, Ronnie James Dio, Yngwie Malmsteen, Sebastian Bach, Rob Halford, Fight to Kill, music video, music_video, kranktv, blanktv, Manowar, Pantera, Anthrax, Eli Santana, hard rock, bryanstars, interviews

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Live

Live Review

Live Overview

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Santana III (Legacy Edition)

Santana III (Legacy Edition) Review

Santana III (Legacy Edition) Overview

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Santana " Mirage"

Santana " Mirage" Tube. Duration : 4.73 Mins.

Off Santana's All-Time Classic "Borbolletta"

Tags: mirage, santana, borbolletta

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Ceremony - Remixes & Rarities

Ceremony - Remixes & Rarities Review

Ceremony - Remixes & Rarities Feature

• SANTANA CEREMONY: REMIXES & RARITIES

Ceremony - Remixes & Rarities Overview

SANTANA CEREMONY: REMIXES & RARITIES

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Glee-Cap - Heart

Glee-Cap - Heart Tube. Duration : 2.15 Mins.

www.clevver.com Hi Gleeks, welcome back to ClevverMusic. I'm Bridget Daly with your GleeCap from last night's Valentine's Day episode Heart. The episode kicked off with Sugar announcing to the Glee club that she was hosting a Valentine's Day party at breadsticks, but still needed a date—prompting Artie and Rory to immediately start fighting over her to try and win her affecton. Meanwhile, Rachel and Finn make their own announcement about their engagement, and Rachel's dads plan a dinner with Finn's parents so the families can celebrate. Everyone is fully immersed in VDay—with Kurt receiving multiple valentines from his secret admirer—whom he assumes is Blaine. Finn hires the God Squad—Mercedes, Sam, Quinn and Apollo—to perform Stereo Hearts for Rachel, which then prompts Santana to want to buy one for her GF Brittany, but the God Squad says they have to think about it. Cue the drama! Rory reveals he sadly didnt get approved for a visa again and must return to Ireland after the school year—which incidentally makes Sugar like him more. Mercedes meanwhile, sings I Will Always Love You to Sam, telling him that she finally told Shane about them, but still can't be with him until she figures herself out. Rachel and Finn's collective parental units pretend they're excited about their upcoming wedding, and tell them to go upstairs and have a sleepover—hoping they'll start fighting and decide they're too young for marriage. While Rachel and Finn do squabble, they then kiss and ...

Tags: glee, recap, episode, heart, valentine's, day, new, fox, music, news, Glee (TV Series), Television Program, Valentine's Day

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Selim ISIK Gitar dersleri bolum 2 gitar seçimi

Selim ISIK Gitar dersleri bolum 2 gitar seçimi Tube. Duration : 9.10 Mins.

Selim IŞIK ve değerli Müzik öğretmenleri Cihangir Müzik Eğitim merkezinde.ulaşmak için tel:0212 292 80 23 www.cihangirmuzik.com yeni başlayanlar ve seviyesini ilerletmek isteyenler için gitar dersi

Keywords: selim, ışık, gitar, dersi, elektro, akustik, klasik, gam, nota, tab, teknikleri, hammer, on, pull, off, slide, tapping, bend, Guitar, Amps, Effects, Boss, Effect, Pedals, Distortion, Marshall, Reverb, Rocktek, Tube, Works, Acoustic, Bass, BC, Rich, Classical, Dean, Electric, Guitars, Epiphone, ESP, Fender, Gibson, Hamer, Ibanez, Jackson, Jose, Ramirez, Martin, Ovation, PRS, Schecter, Steel, Takamine, Vintage, Washburn, Yamaha, Eric, Clapton, Jimi, Hendrix, BB, King, Jimmy, Page, Carlos, Santana, steve, vai, joe, satriani

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Dance of the Rainbow Serpent

Dance of the Rainbow Serpent Review

Dance of the Rainbow Serpent Overview

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 8-AUG-1995

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Tropical Spirits Part I & II

Tropical Spirits Part I & II Review

Tropical Spirits Part I & II Overview

2012 reissue of a Y2K Cleopatra label collection of early rare pre debut album recordings , unreleased material & "Millennium Remix 2000" dance versions of "Jingo", "Acapulco Sunrise", "Fried Neckbones and Home Fries" and "Soul Sacrifice".

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somos apenas um- luan santana

somos apenas um- luan santana Tube. Duration : 3.45 Mins.

*--*

Keywords: somos, apenas, um, luan, santana

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Herbie Hancock "possibilities" Documentary with John Mayer

Herbie Hancock "possibilities" Documentary with John Mayer Tube. Duration : 8.38 Mins.

Possibilities a film about jazz pianist Herbie Hancock. Collaborating on an album called Possibilities. Christina Aguilera Brian Eno Annie Lennox Lionel Louke John Mayer Greg Phillinganes Damien Rice Carlos Santana Paul Simon Sting and Joss Stone feature on the album.

Keywords: Herbie, Hancock, possibilities, John, Mayer, Christina, Aguilera, Brian, Eno, Annie, Lennox, Lionel, Louke, Greg, Phillinganes, Damien, Rice, Carlos, Santana, Paul, Simon, Sting, and, Joss, Stone, documentary

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Comédia MTV -Rap do Ruivo 29/03/2011

Comédia MTV -Rap do Ruivo 29/03/2011 Video Clips. Duration : 3.52 Mins.

Clipe Final -29/03/2011

Tags: Comedia, MTV, Marcelo, Adnet, Dani, Calabresa, Gui, Santana, Tata, Werneck, Fabio, Rabin, Paulinho, Serra, Rodrigo, Capella, Bento, Ribeiro

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Festival

Festival Review

Festival Overview

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Bésame- Nova y Jory Ft. Rakim & Ken-Y (Letra)(Official Remix)

Bésame- Nova y Jory Ft. Rakim & Ken-Y (Letra)(Official Remix) Video Clips. Duration : 4.22 Mins.

by: juan estrada oturi www.facebook.com Nova & Jory Ft. Rakim & Ken Y -- Bésame (Official Remix) Nova & Jory Ft. Rakim & Ken-Y - Besame (Official Remix) (Prod. By Edup, Santana y Jean Paul) Nova & Jory Feat. RKM & Ken Y - Bésame (Official Remix) (Reggaeton 2011) Nova Y Jory Ft. Rakim Y Ken Y -- Bésame (Official Remix) Nova & Jory Ft. RKM & Ken-Y - Besame (Official Remix) (Prod. By Edup, Santana y Jean Paul) (Original & Completa) Letras/Lyrics: Nova & Jory Ft. Rakim & Ken Y -- Bésame (Official Remix) Nova & Jory Ft. Rakim & Ken-Y - Besame (Official Remix) (Prod. By Edup, Santana y Jean Paul) LETRA Besame (Official Remix) nova y jory ft. rakim y ken-y besame (reggaeton 2011)

Tags: rakim, keny, forever, nuevo, tema, 2011, nova, jory, tus, recuerdos, son, mi, dios, remix

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Santana - Samba pa ti

Santana - Samba pa ti Video Clips. Duration : 4.75 Mins.

wow

Keywords: santana

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Comédia MTV - Clip Trenó Elétrico - Carnaneve

Comédia MTV - Clip Trenó Elétrico - Carnaneve Tube. Duration : 5.72 Mins.

Clip do Hit Carnaneve, do Grupo Trenó Elétrico - Comédia MTV Download do Hit migre.me

Keywords: Comédia, MTV, Clip, Hit, Trenó, Elétrico, Carnaneve, Marcelo, Adnet, Dani, Calabresa, Bento, Ribeiro, Fábio, Rabin, Rafael, Queiroga, Guilherme, Santana, Paulinho, Serra, Tatá, Werneck, Rodrigo, Capella, @comedia_mtv, @Lukaopc

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Collection: Santana / Abraxas / Santana 3 (Rpkg)

Collection: Santana / Abraxas / Santana 3 (Rpkg) Review

Collection: Santana / Abraxas / Santana 3 (Rpkg) Overview

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Black Magic Woman ♪cover サンタナ-Santana-

Black Magic Woman ♪cover サンタナ-Santana- Video Clips. Duration : 3.87 Mins.

1969年にアルバムの「サンタナ」（"Santana"）で、デビュー。 「ブラック・マジック・ウーマン」は翌年の1970年セカンド・アルバム「天の守護神」のシングル・カット曲。

Keywords: Santana, サンタナ, cover, ラテンロック

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Veredicto de Muerte - Eme 'El Mago' Ft Baby Rasta (Original) (Los Duros) REGGAETON LETRA 2012

Veredicto de Muerte - Eme 'El Mago' Ft Baby Rasta (Original) (Los Duros) REGGAETON LETRA 2012 Video Clips. Duration : 5.75 Mins.

Sigueme: twitter.com Sigueme: twitter.com Unete: www.facebook.com Unete: www.facebook.com Veredicto de Muerte - Baby Rasta Veredicto de Muerte - Eme Ft Baby Rasta Veredicto de Muerte - Eme 'El Mago Veredicto de Muerte letra - Eme 'El Mago' Ft Baby Rasta Eme 'El Mago' Ft Baby Rasta Veredicto de Muerte - Baby Rasta Veredicto de Muerte 1. Eme 'El Mago' -- Intro (Prod. Santana) 2. Baby Rasta y Gringo Feat: Pacho y Cirilo, Nengo Flow, Voltio, Kendo Kaponi y J.Alvarez -- Los Duros -- (Prod. Jumbo / Eme Music) 3. Kendo Kaponi -- Perros y Demonios -- (Prod. Gaby Music) 4. Baby Rasta y Gringo -- Luna Llena -- (Prod. Jumbo / Eme Music) 5. Kendo Kaponi Feat: J Alvarez -- Así Soy -- (Prod. Santana / Jan Paul) 6. Bobby El Lobo Negro Feat: Jomar -- Desnudarte -- (Prod. Rome La Mano Negra) 7. Pacho y Cirilo -- Ella Quiere -- (Prod. DJ Yanyo / DJ Luian) 8. Santana Feat: Gotay y Lui-G -- Bellaquisimo -- (Prod. Emil / Jan Paul) 9. Baby Rasta y Gringo -- Piensas En Mi -- (Prod. Santana / Jan Paul) 10. Kendo Kaponi Feat: Arcángel -- Baja El Fronte Mostro -- (Prod. Jumbo) 11. Pacho y Cirilo Feat: Baby Rasta y Gringo -- Se van a Morir -- (Prod. Lil' Wizard) 12. Eme 'El Mago' Feat: Baby Rasta -- Veredicto de Muerte -- (Prod. Santana) 13. Gringo Feat: Kendo Kaponi -- Bailame -- (Prod. Los Reales) 14. Bobby "El Lobo Negro" Feat Baby Rasta y Gringo -- Pa'Tras (Prod. Eme Music) 15. Santana Feat: Baby Rasta y Gringo -- Y Tu? (Prod. Santana / Jan Paul) 16. Bobby El Lobo Negro Feat: Baby Rasta ...

Tags: VEREDICTO, de, muerte, eme, el, mago, ft, baby, rasta, veredictodemuerte, babyrasta, veredictodemuerteletra, los, duros, yt:crop=16:9, yt:stretch=16:9

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Bad Meets Evil Welcome 2 Hell Eminem Ft Royce da 59

Bad Meets Evil Welcome 2 Hell Eminem Ft Royce da 59 Video Clips. Duration : 2.97 Mins.

Bad Meets Evil Welcome 2 Hell Eminem Ft Royce da 59 bad meets evil album soundtrack

Keywords: evil, good, welcome, cent, bad, resident, eminem, resident evil, bryan, adams, rick, rap, spirit, live, shady, lloyd, slim, jim, banks, buck, jones, feat, unit, santana, 50cent, game, deep, hiphop, remix, aftermath, beef, d12, jim jones, lloyd banks, curtis, records, freestyle, bottle, cam, mixtape, jay, prodigy, slim shady, havoc, khaled, fifty, cam ron

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Luan Santana - Amar não é pecado [LETRAS]

Luan Santana - Amar não é pecado [LETRAS] Video Clips. Duration : 3.73 Mins.

musica da novela morde & assopra

Tags: luan, santana, amar, não, pecado, musica, da, novela, de, morde, assopra, letras

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Guitar Heaven: The Greatest Guitar Classics of All Time

Guitar Heaven: The Greatest Guitar Classics of All Time Review

Guitar Heaven: The Greatest Guitar Classics of All Time Feature

• SANTANA GUITAR HEAVEN: THE GREATEST GUITAR CLASS

Guitar Heaven: The Greatest Guitar Classics of All Time Overview

The longest-running, most successful partnership in the history of rock takes flight anew, as legendary Rock And Roll Hall of Fame inductees Carlos Santana and Clive Davis collaborate on the brand new concept album, GUITAR HEAVEN: THE GREATEST GUITAR CLASSICS OF ALL TIME. The album was co-produced by Carlos Santana and Clive Davis with tracks produced by Matt Serletic and Howard Benson.

Working from their collective encyclopedic knowledge of rock, Carlos Santana and Clive Davis devised a list of guitar-centric titles and then invited a Who s Who of guest vocalists to perform on every track. Singers range from Chris Cornell (on Led Zeppelin s Whole Lotta Love ), Pat Monahan (on Van Halen s Dance the Night Away ), Chester Bennington and Ray Manzarek (on The Doors Riders on the Storm ), Rob Thomas (on Cream s Sunshine Of Your Love), Scott Weiland (on the Rolling Stones Can t You Hear Me Knockin ), Chris Daughtry (on Def Leppard s Photograph ), Gavin Rossdale (on T. Rex s Bang A Gong ) to rapper Nas (on AC/DC s Back In Black ), veteran Joe Cocker (on Jimi Hendrix s Little Wing ), and more.

A very special dedication to George Harrison comes together on GUITAR HEAVEN..., with While My Guitar Gently Weeps, featuring singer india.arie and master cellist Yo-Yo Ma. Listening to the song, Olivia Harrison told Carlos, it made me jump for joy and cry at the same time.
DVD includes the making of Guitar Heaven and an interview with Carlos Santana and Clive Davis.

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Rolling Stones-Gimme Shelter at Altamont

Rolling Stones-Gimme Shelter at Altamont Tube. Duration : 4.03 Mins.

The Altamont Speedway Free Festival was an infamous rock concert held on Saturday, December 6, 1969, at the Altamont Speedway in northern California, between Tracy and Livermore. Headlined and organized by The Rolling Stones, it also featured, in order of appearance: Santana, Jefferson Airplane, The Flying Burrito Brothers, and Crosby, Stills & Nash, with the Rolling Stones taking the stage as the final act. The Grateful Dead were also scheduled to perform, but declined to play shortly before their scheduled appearance due to the increasing violence at the venue. That's the way things went at Altamont so badly that the Grateful Dead, prime organizers and movers of the festival, didn't even get to play. Approximately 300000 people attended the concert, and some anticipated that it would be a "Woodstock West." The event is best known for having been marred by considerable violence, including one homicide and three accidental deaths: two caused by a hit-and-run car accident and one by drowning in an irrigation canal. Four births were reported during the event as well.Lead singer Mick Jagger of the Rolling Stones (who had already been punched by a concertgoer within seconds of emerging from his helicopter)was visibly intimidated by the unruly situation, urging everyone to "Just be cool down in the front there, don't push around." Within a minute of starting their third song, "Sympathy for the Devil", a fight erupted in the front of the crowd, at the foot of the stage. After a ...

Keywords: rollingstones, mickjagger, keithrichards, micktaylor, billwyman, charliewatts, altamont, 1969

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"A Diarista" Epsódio: Baixa Costura (Parte 1)

"A Diarista" Epsódio: Baixa Costura (Parte 1) Tube. Duration : 8.00 Mins.

Marinete vai trabalhar na casa de uma modelo anoréxica, Ludmila Verçosa (Lavínia Vlasak), e acaba provocando uma enorme confusão. Por engano, ela dá à amiga Solineuza o vestido exclusivo criado pela famosa estilista Verna Camarotto (Patricya Travassos), que a patroa usaria num badalado desfile de moda. Marinete tem poucas horas para recuperar o traje, cujas partes vão parar em diferentes lugares. Tudo começa quando Solineuza pede a Marinete que lhe arranje um vestido para sair com um sujeito que acabou de conhecer. Como Ludmila tem vários vestidos em casa, a diarista pede à patroa algum que ela não queira mais. Só que Marinete se engana e entrega a Solineuza o vestido que a estilista Verna acabara de entregar à modelo. Em sua peregrinação para recuperar o vestido, Marinete descobre que Solineuza, por não caber em um modelo tão pequeno, deu a roupa para a amiga Gracenilde (Ana Paula Bouzas). O vestido, porém, não coube em nenhuma das filhas de Gracenilde, então ela aproveitou uma das partes e usou como capa para seu liqüidificador. O restante da peça exclusiva foi parar na casa de Dalva (Marysheila), que usou um pedaço para cobrir sua enceradeira e deu o que sobrou para Mara (Sonia Siqueira). Esta, sem saber de nada, deixou que sua avó fosse enterrada com uma das partes da roupa. Participações especiais: Remo Rocha, Anderson Correa, Fabio Santana Limma, Pedro di Monteiro, Gisele Werneck e Naura Schneider Escrito por Aloisio de Abreu, Lícia Manzo, Duba Elia e Guilherme ...

Keywords: Diarista, Anderson, Correa

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Light Dance [VHS]

Light Dance [VHS] Review

Light Dance [VHS] Overview

Master guitarist Carlos Santana composed and performed the music for this film by cinematographer David Fortney, which uses state-of-the-art photographic techniques to give a bird's-eye view of the beauty of nature as the camera glides over open fields, through lush forests, and into broad banks of wildflowers. Set to visuals highlighting the wonders of nature, color, and light, Santana's passionate and fiery music comes alive.

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Which Way, Por Favor

Which Way, Por Favor Video Clips. Duration : 98.45 Mins.

** Funny saucy Spanish-flavored Comedy ! ** The breathtaking sights and sounds of Mexico's lush Pacific coast come alive in this captivating comedy-drama shot in the isolated seaside village of Yelapa. Join four offbeat travelers hunting for romantic adventure, hidden cash, a mysterious father, and the mythic sorceror, 'Don Juan' made famous in books by Carlos Castaneda. Featuring a cast of North American actors and Yelapa locals and an original soundtrack recorded by members of the David Grisman Band, Tito Puente, Van Morrison, The Robert Gray Band -- and the grammy-winning CARLOS SANTANA Band.

Keywords: comedy, indie film, lesbian, gay, theme, seduction, vacation, mexico, couples retreat, Carlos Castaneda, yt:crop=16:9, Craze, Productions

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YOUNG BUCK " IM DONE WIT YALL " VIDEO by: BLACKFLYMUSIC

YOUNG BUCK " IM DONE WIT YALL " VIDEO by: BLACKFLYMUSIC Tube. Duration : 4.08 Mins.

YOUNG BUCK GIVES US A VISUAL FROM THE BACK ON MY BUCK SHIT VOL.2 MIXTAPE " IM DONE WIT YALL ". BUCK ALSO GEARING UP FOR HIS HIGHLY ANTICIAPATED BOMBS VOL.3 RELEASE PRODUCED BY DRUMMA BOY. @YOUNGBUCK www.YOUNGBUCKTV.com VIDEO BY: BLACKFLYMUSIC 615-727-6590

Keywords: YOUNG BUCK, BACK ON MY BUCK SHIT, IM DONE WIT YALL, CASHVILLE RECORDS, BLACKFLYMUSIC, BUCK THE WORLD, GET BUCK, SHAWTY WANNA RIDE WIT ME, LOSE MY MIND, CHARLIE P, HEAT BOY KIE-LO, gangsta, cent, rick, slideshow, hip hop, crunk, STREET, HOOD, TRAP, GUTTA, MUZIK, YO GOTTI, GUCCI MANE, RICK ROSS, DRAKE, BIRDMAN, DRUMMA BOY, YOUNG GEEZY, wayne, shady, slim, jim, banks, jones, eminem, santana, im, done, wit, yall, taxin, charlie, mad, at, me

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Cambió - Mickey Santana y Roberto Marín.

Cambió - Mickey Santana y Roberto Marín. Tube. Duration : 3.83 Mins.

.

Keywords: mickey, roberto.

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Fifa 12 Ultimate Team - Bundesliga Team

Fifa 12 Ultimate Team - Bundesliga Team Tube. Duration : 3.42 Mins.

In this video I show you my Bundesliga team and I want to know how I can improve this team to make it better, so if you have any ideas please leave a comment telling me how to improve this team. Also Im going to test this team out in 4-3-3 soon, so I will need a new CM for the team.

Tags: Bundesliga, League, Team, Squad, Fifa, 12, Fifa12, UT, Ultimate, Ultimateteam, ea, sports, easports, uniqueriggers, unique, riggers, Robben, Ribery, Podolski, Gomez, lahm, Rafinha, infrom, IF, Santana, Naldo, brazil, brazilian, schweinsteiger, Gotze, Neuer, best, epic, xbox, 360, xbox360, ps3, playstation, pc, football, soccer, Fifa 12 Ultimate Team, Fifa 12 Bundesliga Team, Bundesliga Ultimate Team

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Inner Secrets

Inner Secrets Review

Inner Secrets Overview

Vinyl Classics reissue of this 1978 album comes as a vinyl look-a-like CD that's packaged in a die-cut see-through slipcase. Nine tracks. Sony.

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Santana (1st Album)

Santana (1st Album) Review

Santana (1st Album) Feature

• LIKE NEW, BOX, DISCS ,BOX + BOOKLET !

Santana (1st Album) Overview

Be sure to check out our other deals on, Rare and Hard to find jazz and rock cds !!!*********please note that this box set has been throughly inspected for quality before shippingTHERE ARE NO RETURNS ON BOX SETS!!!**************

Santana (1st Album) Specifications

By the time Santana arrived on the San Francisco scene in 1968, the Grateful Dead's freeform antics were already legendary. But Santana was a jam band of another order--fueled by Latin rhythms, blues, bebop, and straight-ahead rock. Having set the audience at the 1969 Woodstock festival on its collective ear, the band did the same for the nation with its self-titled debut, released later that summer. Songs such as "Evil Ways," "Jingo," and "Soul Sacrifice" contain extraordinary ensemble playing, powered by percolating congas and timbales and topped by the grippingly human cry of Carlos Santana's guitar. The 1998 reissue of the album contains three bonus tracks recorded live at Woodstock: "Savor," "Soul Sacrifice," and "Fried Neckbones." --Daniel Durchholz

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Um Beijo-Luan Santana (letra)

Um Beijo-Luan Santana (letra) Tube. Duration : 3.23 Mins.

comentem galeraaaa! Sai cantando do chuveiro Eu sou o cara mais feliz do mundo inteiro Noite perfeita, tá na hora, quero te encontrar Em frente ao espelho, tô ensaiando A melhor forma de dizer que tô te amando Essa é minha chance, é agora eu não posso errar Mas bem na hora de falar com você Travei, comecei a gaguejar E a saida é deixar acontecer O coração se entregar Um beijo fala mais que mil palavras Um toque é bem mais que poesia No seu olhar enxergo a sua alma Sua fala é uma linda melodia Ninguém sabe explicar o que é o amor Ninguém vai ser feliz sem ser amado Meu coração de vez se entregou Confesso que eu estou apaixonado Mas bem na hora de falar com você Travei, comecei a gaguejar E a saida é deixar acontecer O coração se entregar

Tags: Um, Beijo-Luan, Santana, (letra)

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Comédia MTV - Hiper Nanny

Comédia MTV - Hiper Nanny Video Clips. Duration : 4.97 Mins.

uma criança extremamente perturbada que a mãe acha que é um anjo muito bom vale a pena ver!!

Keywords: tatá, wreneck, dani, calabresa, marcelo, adnet, hiper, nany, comedia, mtv

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Santana - Samba pa ti 1971

Santana - Samba pa ti 1971 Video Clips. Duration : 3.10 Mins.

Santana - Samba pa ti 1971

Tags: Pop, 70s, ME, Santana, Samba, pa, ti, 1971

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Santana Live

Santana Live Review

Santana Live Overview

The tracks are: 1. Smooth/Dame Tu Amor (Feat, Rob Thomas), 2. Black Magic Woman, 3. Oye como Va, 4. Maria Maria (Feat, The Product G&B), 5. The Game Of Love (Feat, Michelle Branch), 6. Europa, 7. Soul Sacrifice.

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Zebop! (30th Anniversary Edition / Remastered)

Zebop! (30th Anniversary Edition / Remastered) Review

Zebop! (30th Anniversary Edition / Remastered) Overview

1981 was a watershed year for Santana. With the release of their multi-format hit album Zebop!, Carlos Santana & The Santana Band catapulted onto the top ten, the first time in several years, & truly changed the course of their musical history for the next several decades. Thanks in part to the Russ Ballard (Argent) penned smash hit single Winning, the band not only maintained their solid following, but also brought in a whole new fan base. This 30th Anniversary Ed. comes with wonderful new remastering from the original Columbia tapes,original LP artwork all housed in a beautiful digi-pak.

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Chad Ochocinco, Andre Johnson, Santana Moss, Antonio Brown workout - AthleteIntel

Chad Ochocinco, Andre Johnson, Santana Moss, Antonio Brown workout - AthleteIntel Tube. Duration : 6.67 Mins.

NFL Wide Receivers Chad Ochocinco (@ochocinco), Andre Johnson (@ajohnson80), Santana Moss (@eighttodanine), and Antonio Brown (@antoniobrown84) work out with Bo Smith (@bothetrainer) during the offseason. Workout is working on top of routes and footwork. Song used is Lil Wayne - John ft. Rick Ross (clean)

Tags: athleteintel, Athlete Intel, Chad Ochocinco, Andre Johnson, Santana Moss, Antonio Brown, Bo Smith, bothetrainer

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Langston Hughes - The Life, Times, Works as Well as Impact of a Versatile African-American Writer

Langston Hughes stands as a literary and cultural translation of the political resistance and campaign of black consciousness leaders such as Martin Luther King to restore the rights of the black citizenry thus fulfilling the ethos of the American dream, which is renowned universally every year around February to April.

Hughes' overriding sense of a group and cultural purpose tied to his sense of the past, the present and the future of black America commends his life and works as having much to learn from to inspire us to move send and to edify and guide our steps as we move send to originate a great future.

Anthology

Hughes is also necessary since he seems to have comfortably spanned the genres: poetry, drama, novel and commentary leaving an indelible stamp on each. At 21 years of age he had published in all four (4) areas. For he all the time carefully himself an artist in words who would venture into every particular area of literary creativity, because there were readers for whom a story meant more than a poem or a song lyric meant more than a story and Hughes wanted to reach that private and his kind.

But first and foremost, he carefully himself a poet. He wanted to be a poet who could address himself to the concerns of his population in poems that could be read with no formal training or broad literary background. In spite of this Hughes wrote and staged dozens of short stories, about a dozen books for children, a history of the National association for the Advancement of Coloured Peoples (Naacp), two volumes of autobiography, opera libretti, song lyrics and so on. Hughes was driven by a sheer confidence in his versatility and in the power of his craft.

Hughes" commitment to Africa was real and concretized in both words and deeds. The fact of his Negro-ness (though light-complexioned) has aroused in him a desire to challenge those from the other side of the color line that reject it:

My old man's a white old man

And my old mother's black

My old ma died in a fine big house

My mad died in a shack

I wonder where I'm gonna die

Being neither white nor black?

His hunt for his roots was given impetus when in 1923 Hughes met and heard Marcus Garvey exhort Negroes to go back to Africa to flee the wrath of the white man. Hughes then became one of the poets who conception they felt the beating of the jungle tom-toms in the Negroes' pulse. Their verse took on a nostalgic mood, and some even imagined that they were infusing the rhythms of African dancing and music into their verse like we could sense in the reading of this poem: 'Danse Africaine':

The low beating of the tom toms,

The slow beating of the tom toms,

Low ...slow

Slow ...low -

Stirs your blood.

Dance!

A night-veiled girl

Whirls softly into a

Circle of light.

Whirls softly ...slowly,

Born in Joplin, Missouri in 1902, Hughes grew up in Lawrence, Kansas and Lincoln, Illinois, before going to high school in Cleveland, Ohio in of which places, he was part of a small community of blacks to whom he was nevertheless profoundly attached from early in his life. Though descending from a distinguished family his infancy was disrupted by the separation of his parents not long after his birth. His father then emigrated to Mexico where he hoped to gain the success that had eluded him in America. The color of his skin, he had hoped, would be less of a consideration in determining his future in Mexico. There, he broke new ground. He gained success in company and lived the rest of his life there as a successful attorney and landowner.

In contrast, Hughes' mother lived the transitory life common for black mothers often leaving her son in the care of her mother while searching for a job.

His maternal grandmother, Mary Langston, whose first husband had died at Harpers Ferry as a member of John Brown's band, and whose second husband (Hughes's grandfather) had also been a militant abolitionist. Instilled in Hughes a sense of dedication most of all. Hughes lived successively with family friends, then discrete relatives in Kansas.

Another important family shape was John Mercer Langston, a brother of Hughes's grandfather who was one of the best-known black Americans of the nineteenth century.

Hughes later joined his mother even though she was now with his new stepfather in Cleveland, Ohio. At the same time, Hughes struggled with a sense of desolation fostered by parental neglect. He himself recalled being driven early by his loneliness 'to books, and the remarkable world in books.' He became disillusioned with his father's materialistic values and contemptuous confidence that blacks, Mexicans and Indians were lazy and ignorant.

At Central High School Hughes excelled academically and in sports. He wrote poetry and short fiction for the school's literary magazine and edited the school year book. He returned to Mexico where he taught English briefly and wrote poems and prose pieces for publication in The accident the magazine of the Naacp.

Aided by his father, he arrived in New York in 1921 ostensibly to attend Columbia University but certainly it was to see Harlem. One of his greatest poems, "The Negro Speaks of Rivers" had just been published in The Crisis. His talent was immediately spotted though he only lasted one year at Columbia where he did well but never felt comfortable.

On campus, he was subjected to bigotry. He was assigned the worst dormitory room because of his color. Classes in English literature were all he could endure. Instead of attending classes which he found boring he would frequent shows, lectures and readings sponsored by the American Socialist Society. It was then that he was first introduced to the laughter and pain, hunger and heartache of blues music. It was the night life and culture that lured him out of college. Those sweet sad blues songs captured for him the intense pain and yearning that he saw around him, and that he incorporated into such poems as "The Weary Blues".

To keep himself going as a poet and reserve his mother, Hughes served in turn as: a delivery boy for a florist; a vegetable farmer and a mess boy on a ship up the Hudson River. As part of a merchant steamer crew he sailed to Africa. He then traveled the same way to Europe, where he jumped Ship in Paris only to spend several months working in a night-club kitchen and then wandering off to Italy.

By 1924 his poetry which he had all along been working on showed the distinguished influence of the blues and jazz. His poem "The Weary Blues" which best exemplifies this influence helped inaugurate his occupation when it won first prize in the poetry section of the 1925 literary contest of chance magazine and also won someone else literary prize in Crisis.

This landmark poem, the first of any poet to make use of that basic blues form is part of a volume of that same title whose whole collection reflects the frenzied atmosphere of Harlem nightlife. Most of its selections just as "The Weary Blues" approximate the phrasing and meter of blues music, a genre popularized in the early 1920s by rural and urban blacks. In it and such other pieces as "Jazzonia" Hughes evoked the frenzied hedonistic and glittering atmosphere of Harlem's renowned night-clubs. Poetry of group commentary such as "Mother to Son" show how hardened the blacks have to be to face the innumerable hurdles that they have to battle straight through in life.

Hughes' earliest influences as a mature poet came interestingly from white poets. We have Walt Whitman the man who straight through his artistic violations of old conventions of poetry opened the boundaries of poetry to new forms like free verse. There is also the very populist white German Émigré Carl Sandburg, who as Hughes' " guiding star," was decisive in important him toward free verse and a radically democratic modernist aesthetic

But black poets Paul Laurence Dunbar, a scholar of both dialect and accepted verse, and Claude McKay, the black radical socialist an emigre from Jamaica who also wrote complete lyric poetry, stood for him as the embodiment of the cosmopolitan and yet racially clear and committed black poet Hughes hoped to be. He was also indebted to older black literary figures such as W.E.B. Dubois and James Weldon Johnson who admired his work and aided him. W.E.B. Dubois' collection of Pan-Africanist essays Souls of Black Folks has markedly influenced many black writers like Hughes, Richard Wright and James Baldwin.

Such colour-affirmative images and sentiments as that in "people": The night is beautiful,/So the faces of my population and in 'Dream Variations: Night coming tenderly,/ Black like me. Endeared his work to a wide range of African Americans, for whom he delighted in writing,.

Hughes had all the time shown his estimation to experiment as a poet and not slavishly ensue the tyranny of tight stanzaic forms and exact rhyme. He seemed, like Watt Whitman and Carl Sandburg, to prefer to write verse which captured the realities of American speech rather than "poetic diction", and with his ear especially attuned to the varieties of black American speech.

"Weary Blues" combines these discrete elements the common speech of commonplace people, jazz and blues music and the customary forms of poetry adapted to the African American and American subjects. In his adaptation of customary poetic forms first to jazz then to blues sometimes using dialect but in a way radically separate from earlier writers, Hughes was well served by his early experimentation with a loose form of rhyme that frequently gave way to an inventively rhythmic free verse:

Ma an ma baby

Got two mo' ways,

Two mo' ways to do de buck!

Even more radical experimentation with the blues form led to his next collection, Fine Clothes to the Jew. Maybe his finest particular book of verse, together with several ballads, Fine Clothes was also his least favourably welcomed.

Several reviewers in black newspapers and magazines were distressed by Hughes' fearless and, 'tasteless' evocation of elements of lower-class black culture, together with its sometimes raw eroticism, never before treated in serious poetry.

Hughes expressing his estimation to write about such population and to experiment with blues and jazz wrote in his essay "The Negro Artist and the Racial Mountain." Published in the Nation in 1926

'We younger artists...intend to express our private dark-skinned selves Without fear or shame. If white population are pleased we are glad. If they Are not, it doesn't matter. We know we are beautiful, And ugly too.'

Hughes expressed his estimation to write fearlessly, shamelessly and unrepentantly about low-class black life and population inspite of opposition to that. He also exercised much leisure in experimenting with blues as well as jazz.

The tom-tom cries and the tom-tom laughs. If coloured population are pleased we are glad. If they are not their displeasure doesn't matter either. We build our temples for tomorrow, strong as we know how and we stand on top of the mountains, free within ourselves.

With his espousal of such thoughts defending the leisure of the black writer Hughes became a beacon of light to younger writers who also wished to voice their right to scrutinize and exploit allegedly degraded aspects of black people. He thus in case,granted the movement with a manifesto by so skillfully arguing the need for both race pride and artistic independence in this his most memorable essay,

In 1926 Hughes returned to school in the historically black Lincoln University in Pennsylvania where he prolonged publishing poetry, short stories and essays in mainstream and black-oriented periodicals

In 1927 together with Zora Neal Hurston and other writers he founded Fire a literary journal devoted to African -American culture and aimed at destroying the older forms of black literature. The venture itself was short-lived. It was engulfed in fire along with its editorial offices.

Then a 70 - year old wealthy white patron entered his life. Charlotte Osgood Mason, who started directing virtually every aspect of Hughes' life and art. Her passionate confidence in parapsychology, intuition and folk culture was brought into supervising the writing of Hughes' novel: Not Without Lauqhter in which his boyhood in Kansas is drawn to depict the life of a sensitive black child, Sandy, growing up in a representative, middle-class.mid-western African-American home.

Hughes' association with Mason came to an explosive end in 1930. Hurt and baffled by Mason's rejection, Hughes used money from a prize to spend several weeks recovering in Haiti. From the intense personal unhappiness and depression into which the break had sunk him.

Back in the U.S., Hughes made a sharp turn to the political left. His verses and essays were now being published in New Masses, a journal controlled by the Communist Party. Later that year he began touring.

The renaissance which was long over was substituted for Hughes by a sense of the need for political struggle and for an art that reflected this radical approach. But his career, unlike others then, certainly survived the end of that movement. He kept on producing his art in keeping with his sense of himself as a wholly expert writer. He then published his first collections, the often acerbic and even embittered The Ways of White Folks.

Hughes' main concern was now, the theatre. Mulatto, his drama of race-mixing and the South was the longest running play by an African American on Broadway until Lorraine Hansberry's A Raisin in the Sun appeared in the 1960's. His dramas - comedies and ramas of domestic black American life, largely - were also favorite with black audiences. Using such innovations as theatre-in-the-round and invoking audience participation, Hughes unbelievable the work of later avant-garde dramatists like Amiri Baraka and Sonia Sanchez. In his drama Hughes combines urban dialogue, folk idioms, and a thematic emphasis on the dignity and vigor of black Americans.

Hughes wrote other plays, together with comedies such as puny Ham (1936) and a historical drama, Emperor of Haiti (1936) most of which were only moderate successes. In 1937 he spent several months in Europe, together with a long stay in besieged Madrid. In 1938 he returned home to found the Harlem Suitcase Theater, which staged his agitprop drama Don't You Want to Be Free? employing several of his poems, vigorously blended black nationalism, the blues, and socialist exhortation. The same year, a socialist club published a pamphlet of his radical verse, "A New Song."

With the start of World War Ii, Hughes returned to the political centre. The Big Sea, his first volume of his autobiography work with its memorable portrait of the renaissance and his African voyages written in an episodic, lightly comic style with virtually no mention of his leftist sympathies appeared.

In his book of verse Shakespeare in Harlem (1942) he once again sang the blues. On the other hand, this collection, as well as another, his Jim Crow's Last Stand (1943), strongly attacked racial segregation.

In poetry, he revived his interest in some of his old themes and forms, as in Shakespeare in Harlem (1942).the South and West, taking poetry to the people. He read his poems in churches and in schools. He then sailed from New York for the Soviet Union. He was amongst a band of young African-Americans invited to take part in a film about American race relations.

This filmmaking venture, though unsuccessful, proved instrumental to enhancing his short story writing. For whilst in Moscow he was struck by the similarities between D. H. Lawrence's character in a title story from his collection The Lovely Lady and Mrs Osgood Mason. Overwhelmed by the power of Lawrence's stories, Hughes began writing short fiction of his. On his return to the U. S.. By 1933 he had sold three stories and had begun compiling his first collection.

Perhaps his finest literary achievement while the war came in writing a weekly column in the Chicago Defender from 1942 to 1952. The feature of which was an offbeat Harlem character called Jesse B. Semple, or Simple, and his exchanges with a staid narrator in a neighborhood bar, where straightforward commented on a collection of matters but mainly about race and racism. straightforward became Hughes's most renowned and favorite fictional creation. And one of the freshest, most fascinating and enduring Negro characters in American fiction Jesse B Simple, is a Harlem Everyman, whose comic manner hardly obscured some of the serious themes raised by Hughes in relating Simple's exploits in the quintessential "wise-fool' whose touch and uneducated insights capture the frustrations of being black in America.. His honest and unsophisticated eye sees straight through the shallowness, hypocrisy and phoniness of white and black Americans alike. From his stool at Paddy's Bar, in a delightful brand of English, straightforward comments both wisely and hilariously on many things but principally on race and women.

His bebop-shaped poem Montage of a Dream Deferred (1991) projects a changing Harlem, fertile with humanity but in decline. In it, the drastically deteriorated state of Harlem in the 1950s is contrasted to the Harlem of the 20s. The exuberance of night-club life and the vitality of cultural renaissance has now gone. An urban ghetto plagued by poverty and crime has taken its place. A turn in rhythm parallels the turn in tone. The smooth patterns and diplomatic melancholy of blues music are substituted by the abrupt, fragmented buildings of post-war jazz and bebop. Hughes was alert to what was happening in the African-American world and what was coming. This is why this volume of verse reflected so much the new and relatively new be-bop jazz rhythms that emphasized dissonance They thus reflected the new pressures that were straining the black communities in the cities of the North.

Hughes' living much of his life in basements and attics brought much realism and humanity to his writing especially his short stories. He thus remained close to his vast group as he kept fascinating figuratively straight through the basements of the world where his life is thickest and where common population struggle to make their way. At the same time, writing in attics, he rose to the long perspective that enabled him to radiate a humanizing, beautifying, but still specific light on what he saw.

Hughes' short stories reflect his whole purpose as a writer. For his art was aimed at interpreting "the attractiveness of his own people," which he felt they were taught either not to see or not to take pride in. In all his stories, his humanity, his specific and artistic presentations of both racial and national truth - his successful mediation between the beauties and the terrors of life around him all shine out. clear themes, technical excellencies or group insights loom out.

"Slave in the Block" for example, a straightforward but vivid tale reveals the lack of respect and even human communication, between Negroes and those patronizing and cosmetic whites.

Hughes also took time to write for children producing the successful Popo and Fifina (1932), a tale set in Haiti with Arna Bontemps. He at last published a dozen children's books, on subjects such as jazz, Africa, and the West Indies. Proud of his versatility, he also wrote a commissioned history of the Naacp and the text of a much praised pictorial history of black America The Sweet Flypaper of Life (1955), where he explicated photographs of Harlem by Roy DeCarava, which was judged masterful by reviewers, and confirmed Hughes's prestige for an unrivaled command of the nuances of black urban culture.

Hughes's suffered constant harassment about his ties to the Left. In vain he protested he had never been a Communist having severed all such links. In 1953 he was subjected to group humiliation at the hands of Senator Joseph McCarthy, when he was forced to appear in Washington, D.C., and testify officially about his politics. Hughes denied that he had ever been a communist but conceded that some of his radical verse had been ill-advised.

Hughes's occupation hardly suffered from this. Within a short time McCarthy himself was discredited. Hughes now wrote at length in I Wonder as I gad (1956), his much-admired second volume of autobiography. About his years in the Soviet Union. He became prosperous, although he all the time had to work hard for his measure of prosperity. In the 1950s he turned to the musical stage for success, as he sought to repeat his major success of the 1940s, when Kurt Weill and Elmer Rice had chosen him as the lyricist for their street Scene (1947). This production was hailed as a breakthrough in the development of American opera; for Hughes, the apparently endless cycle of poverty into which he had been locked came to an end. He bought a home in Harlem.

By the end of his life Hughes was roughly universally recognized as the most representative writer in the history of African American literature and also as probably the most customary of all black American poets. He thus became the widely acknowledged "Poet Laureate" of the Negro Race!

According to Arnold Rampersad, an authority on Hughes:

Much of his work renowned the attractiveness and dignity and Humanity of black Americans. Unlike other writers Hughes basked in the glow of the obviously high regard of his customary audience, African Americans. His poetry, with its customary jazz and blues influence and its distinguished democratic commitment, is roughly certainly the most influential written by any person of African descent in this century. clear of his poems; "Mother to Son" are virtual anthems of black American life and aspiration. His plays alone... Could collect him a place in AfroAmerican literary history. His character straightforward is the most memorable particular shape to emerge from black journalism. 'The Negro Artist and the Racial Mountain' is timeless, "it seems as a statement of constant dilemma facing the young black artist, caught between the contending soldiery of black and white culture'

Liberated by the examples of Carl Sandburg's free verse Hughes' poetry has all the time aimed for utter directness and simplicity. In this regard, is the conception that he roughly never revised his work seeming like romantic poets who believe and demonstrate that poetry is a 'spontaneous overflow of emotions".

Like Walt Whitman, Hughes's great poetic forefather in America's poetry..., Hughes did believe in the poetry of Emotion, in the power of ideas and feelings that went beyond matters of technical crafts. Hughes never wanted to be a writer who carefully sculpted rhyme and stanzas and in so doing lost the emotional heart of what he had set out to say.

His poems imbued with the distinctive diction and cadences of Negro idioms in straightforward stanza patterns and accurate rhyme schemes derived from blues songs enabled him to capture the milieu of the setting as well as the rhythms of jazz music.

He wrote mostly in two modes/directions:

(i) lyrics about black life using rhythms and refrains from jazz and

blues.

(ii) Poems of racial protest

exploring the boundaries between black and white America. Thus contributing to the strengthening of black consciousness and racial pride than even the Harlem Renaissance's heritage for its most militant decades. While never militantly repudiating co-operation with the white community, the poems which protest against white racism are boldly direct.

In "The Negro Speaks of Rivers" the straightforward direct and free verse makes clear that Africa's dusky rivers run concurrently with the poet's soul as he draws spiritual vigor as well as private identity from the group touch of his ancestors. The poem is according to Rampersad "reminding us that the syncopated beat which the captive Africans brought with them "that found its first expression here in "the hand clapping, feet stamping, drum-beating rhythms of the human heart (4 - 5), is as 'ancient as the world."

But what Hughes is better known for is his rehabilitation of the possibilities of African-American experiences and identities. Like Walt Whitman, he created a persona that speaks for more than himself. His voice in "I too" for instance absorbs the depiction of a whole race into his central consciousness as he laments:

I, too, sing America

I am the darker brother.

I, too, am America.

The "darker brother" celebrating America is clear of a better future when he will no longer be shunted aside by "company". The poem is characteristic of Hughes's faith in the racial consciousness of African Americans, a consciousness that reflects their integrity and attractiveness while simultaneously demanding respect and acceptance from others as especially when: Nobody '/I dare Say to me, Eat in the kitchen.

This dogged resistance and optimism in facing adversity is what Hughes' life centred on.thus enabling him to survive and perform in spite of the obstacles facing him. As Rampersad affirms:.

'Toughness was a major characteristic of Hughes' life. For his life was hard. He certainly knew poverty and humiliation at the hands of population with far more power and money than he had and puny respect for writers, especially poets. straight through all his poverty and hurt, Hughes kept on a steady keel. He was a gentleman, a soft man in many ways, who was sympathetic and affectionate, but was tough to the core.

Hughes's poetry reveals his hearty appetite for all humanity, his insistence on justice for all, and his faith in the transcendent possibilities of joy and hope that make room as he aspires in 'I too', for every person at America's table.

This deep love for all humanity is echoed in one of his poems: 'My People" some lines of which were earlier referred to:

The night is beautiful,

so the faces of my people,

the stars are beautiful,

so the eyes of my people

Beautiful, also, is the sun

Beautiful also, are the souls of my people

Arnold Rampersad's last word on Hughes's humanity, is anchored on three necessary attributes: his tenderness; generosity and his sense of humour.

Hughes was also tender. He was a man who lovse other population and was beloved. It was very hard to find whatever who had known him who would say a harsh thing about him. population who knew him could remember puny that wasn't pleasant of him. Evidently, he radiated joy and humanity and this was how he was remembered after his death.

He loved the company of people. He needed to have population around him. He needed them Maybe to counter the necessary loneliness instilled in his soul from early in his life and out of which he made his literary art.

Hughes was a man of great generosity. He was generous to the young and the poor, the needy; he was generous even to his rivals. He was generous to a fault, giving to those who did not all the time deserve his kindness. But he was prepared to risk ingratitude in order to help younger artists in particular and young population in general.

Hughes was a man of laughter, although his laughter roughly all the time came in the nearnessy of tears or the threat of the surge of tears. The titles of his first novel Not Without Laughter and a collection of stories Laughing to Keep from Crying. Indicate this. This was essentially how he believed life must be faced - with the knowledge of its clear loneliness and pain but with an awareness, too, of the therapy of laughter by which we voice the human in the face of circumstances. We must reach out to people, and one should not only have an remarkable tolerance of life's sufferings but should also exuberantly complete the happy aspect of life.

His sense of humour is again credited by a writer from Africa who was like Hughes also faced with fighting racial discrimination and deprivation, Ezekiel Mphahlele.

Here is a man with a boundless zest for life... He has an irrepressible sense of humour, and to meet him is to come face to face with the essence of human goodness. In spite of his literary success, he has earned himself the respect of young Negro writers, who never find him unwilling to help them along. And yet he is not condescending. Unlike most Negroes who become renowned or successful and move to high-class residential areas, he has prolonged to live in Harlem, which is in sense a Negro ghetto, in a house which he purchased with money earned as lyricist for the Broadway musical street Scene.

In explaining and illustrating the Negro health in America as was his stated vocation, Hughes captured their joys, and the veiled weariness of their lives, the monotony of their jobs, and the veiled weariness of their songs. He complete this in poems distinguished not only for their directness and simplicity but for their economy, lucidity and wit. either he was writing poems of racial protest like "Harlem" and "Ballad of the Landlord" or poems of racial affirmation like' mother to Son' and 'The Negro Speaks of Rivers,' Hughes was able to find language and forms to express not only the pain of urban life but also its remarkable vitality.

Further Reading:

Gates, Henry, Louis and Mc Kay Nellie, Y. (Gen. Ed) The Norton

Anthology of African American Literature, N.W. Norton & Co; New York & London 1997

Hughes, Langston, "The Negro Artist and the Racial Mountain" 1926. Rpt

in Nathan Huggins ed. Voices from the Harlem Renaissance Oxford

University Press, New York, 1976

Mphahlele, Ezekiel, "Langston Hughes," in Introduction to African

Literature (ed) Ulli Beier, Longman, London 1967

Rampersad, Arnold, The life of Langston Hughes Vol. 1 & 11 Oxford

University Press, N. York, 1986

Trotman, James, (ed), Langston Hughes: The Man, His Art and His

Continuing influence Garland Publishing Inc. N.

York & London 1995

Black Literature Criticism

The Oxford Companion to African American Literature., Oxford University Press,.1997

Langston Hughes - The Life, Times, Works as Well as Impact of a Versatile African-American Writer

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