Showing posts with label Beatles. Show all posts
Showing posts with label Beatles. Show all posts

Saturday, March 10, 2012

The Beatles heritage

How do you account for the lasting popularity of the Beatles, a pop group that broke up officially in 1970? The Beatles break up was marked with rancor and resentment in the middle of McCartney and Lennon. Lawsuits were filed and legal matters dragged out for years, during which time the ideas hardly communicated. Harrison recorded all those songs unappreciated by the Lennon/McCartney juggernaut on the duplicate album "All Things Must Pass." And even though McCartney and even Ringo Starr have had viable post Beatle careers, the parts are less than the whole, especially those who remember the Beatlemania of the 1960s.

This sour end to the most favorite music group of all time has not cooled the ardor of their fans. Each Cd re-incarnation of the vinyl album sells in the millions. The Beatles Anthology, a unblemished and pricey retrospective set of their whole career, became a run-away best jobber in the mid 1990s and again in its 2003 Dvd release. The Cirque du Soleil's "Love" Las Vegas show is the ticket of the year and is garnering rave reviews. And Beatle fanatics continue to make pilgrimages to iconic Liverpool and London locations to perceive the landmarks in the Beatles history.

Anthology

So what is going on here? also Elvis Presley, it's hard to think of any other non-current artist or group that still commands attention and report sales like the Beatles. It's no stretch to say that, as a group, the Beatles penned more capability tunes than any other pop/rock musical group or artist. The sweep of their material, from the charming "From Me To You" to the personal pleas of "Help," to rave ups like "Helter Skelter" is unrivaled in modern popdom. It was the Beatles who established the long playing album as an artistic medium that showcased spirited songs and compelling performances with no discernible duplication or flagging of inspiration through approximately 10 years.

Before the Beatles, albums were afterthoughts to the radio hit, with one or two hits filled out with lesser method tunes. Even King Elvis suffered from this syndrome with his movie soundtrack albums. Blame boss Tom Parker who foisted on Elvis mostly forgettable tunes cranked out by composers willing to sell their songs cheap to the Colonel's in-house publishing company. But most albums of the day were of this ilk, a hit tune or movie title song surrounded by often forgettable dross.

The Beatles were lucky to hook up with George Martin, a creative and sympathetic producer and musician. Up until the Beatles, most artists had little control over their product, deferring that role to experienced producers and A&R men. Martin familiarized the Beatles with the techniques of studio work and frequently recommend song arrangements. But even he at an early date realized the rare and spectacular, song writing talent that Lennon/McCartney were developing song by song. And it prolonged and matured through each and every album.

People forget how rare it was in 1962 for a music combo to write, sing and play its own compositions. The pop music model had been Elvis-inspired singers named Bobby and Tommy who plied mostly forgettable songs to sighing teenagers. The Beatles changed all that in something resembling a revolution. Suddenly, four or five piece combos were "in" and report executives anticipated musical proficiency and hit song writing all wrapped into one package. Music stores began selling galvanic guitars and amplifiers by the boatload. Beatlemania was born.

The Beatles raised the bar for other to follow. The so-called "British Invasion" consisting of groups like Herman's Hermits, the Zombies and the Dave Clark Five who offered energetic songs filled with memorable melodic hooks.

Go to any Paul McCartney or Ringo concert and you'll see fans of all generations, not just aging baby boomers. Many of these fans continue to gather at annual Beatle fests in America and Liverpool to pay homage to their favorite band. This is the most considerable testament to the enduring legacy of the Beatles. As the magical melodies travel from generation to generation, as more Cds and Dvds are bought and enjoyed, you can be assured that the Beatles will remain as relevant today as they were in those halcyon days of 1963-1970.

The Beatles heritage

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Saturday, February 18, 2012

George Harrison's Beatles Songs

Beatles Songs Written & Sung By George Harrison

What follows are all of the originally released Beatles songs written and sung by the "quiet Beatle" George Harrison. They are listed alphabetically. Note that I am not counting as Beatles songs - those which were originally released on his solo albums and then were included in the Anthology series (such as "All Things Must Pass" - evenough I love the Anthology 3 version.)

Anthology

"Blue Jay Way" - Magical difficulty Tour (1967)

This was one of the Beatles most overtly psychedelic songs. This was when they were indeed throwing the "kitchen sink" into their recordings in the studio. While this is, admittedly, not one of The Beatles most tunes - I do enjoy it. Mostly because of the studio experimentation I am referring to.

"Don't Bother Me" - With The Beatles (1963)

Harrison's very first song on a Beatles album. Not particularly memorable, but not bad.

"For You Blue" - Let It Be (1970)

A nice tiny song, although not one of my favorites.

"Here Comes The Sun" - Abbey Road (1969)

One of The Beatles all time classics. During the late '60s Harrison was at his peak as a songwriter. The evidence is there in songs like this one and in his great solo debut, 1970's All Things Must Pass.

"I Me Mine" - Let It Be (1970)

Not one of my favorites, although it has some absorbing aspects to it.

"I Need You" - Help! (1965)

I've all the time liked this song. In fact I'm a big fan of all of Harrison's songs in this era (Help!, Rubber Soul, & Revolver)

"I Want to Tell You" - Revolver (1966)

Another Harrison song I've all the time liked. It's got this cool off kilter sound that makes it quite unique.

"If I Needed Someone" - Rubber Soul (1965)

The Beatles doing The Byrds.

"It's All Too Much" - Yellow Submarine (1968)

The best calculate to buy the Yellow Submarine soundtrack (or even good the much improved "songtrack" released in 1999.) This is one of the great lesser known Beatles songs. Truly psychedelic. The output is awesome. There's no song that sounds quite like this one.

"Long, Long, Long" - The White Album (1968)

The exquisite followup to "Helter Skelter." The Beatles go from impossibly loud to impossibly quiet, just like that. A gorgeous song.

"Love You To" - Revolver (1966)

A lot of citizen are down on Harrison's Indian music experimentation. Not me. I dig it.

"Old Brown Shoe" - B-Side to "Ballad of John & Yoko" (1969)

You can hear this on the Past Masters Vol. 2 album or the "Blue" most Hits. I advise the Past Masters collections so you aren't getting a lot of the songs twice. The Past Masters (volumes 1 and 2) fetch all of The Beatles songs that were singles/Eps only and are not ready on the lawful Uk Beatles albums.

"Only a Northern Song" - Yellow Submarine (1968)

Of the 4 new songs on the Yellow Submarine soundtrack, 2 of them were George's. This one (which is Ok) and "It's All Too Much" (which is awesome.)

"Piggies" - The White Album (1968)

Wonderfully weird, just like most of the rest of The White Album which is, in my opinion, The Beatles most album.

"Savoy Truffle" - The White Album (1968)

It indeed took me a long time to get into this song, but now I think it's pretty great. It's a grower.

"Something" - Abbey Road (1969)

Frank Sinatra's popular "Lennon/McCartney" song. Yes he indeed said that. To this day I don't know if that was a dig at Lennon/McCartney or if he indeed didn't know they didn't write it.

"The Inner Light" - B-Side to "Lady Madonna" (1968)

Can be heard on the Past Masters, Volume Two. All instrumentation was by Indian musicians on Indian instruements. The instrumental track was indeed recorded in Bombay, India.

"Taxman" - Revolver (1966)

Paul McCartney indeed plays the lead guitar part on this. McCartney's fast noisy guitar solos were inspired by Jimi Hendrix who was still mostly unknown at the time.

"Think for Yourself" - Rubber Soul (1965)

Always seemed to me to be a bit of a brother to Lennon's "The Word" from the same album.

"While My Guitar gradually Weeps" - The White Album (1968)

Features Eric Clapton on lead guitar. One of Harrison's

"Within You Without You" - Sgt Pepper (1967)

The Beatles most fully realized song in this genre. To me it's an important part of the Sgt. Pepper album. This was Harrison's only songwriting/lead singing gift to that legendary album.

"You Like Me Too Much" - Help! (1965)

Reasonably catchy song - I like some of the vocal parts, but the lyrics are pretty bad. Not a Harrison highlight.

George Harrison's Beatles Songs

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